Hours Log In Log Out
|
|
|
The Library has reopened!
Hours Log In Log Out
|
Fabrice Fitch.
Renaissance polyphony.
Cambridge University Press, 2020.
Cambridge Core ebook edition.
Singing our unsung heroes: remembering Manu Dibango, celebrating Cameroon music.
Edited by Walter Gam Nkwi.
Langaa RPCIG, 2021.
Project MUSE ebook edition.
Willem Elders.
Josquin des Prez and his musical legacy: an introductory guide.
Leuven University Press, 2013.
JSTOR ebook edition.
David Sulzer.
Music, math, and mind: the physics and neuroscience of music.
Columbia University Press, 2021.
De Gruyter ebook edition.
Melina Esse.
Singing Sappho: improvisation and authority in nineteenth-century Italian opera.
The University of Chicago Press, 2021.
De Gruyter ebook edition.
Naomi Graber.
Kurt Weill's America.
Oxford University Press, 2021.
Ebsco ebook edition.
Alan Taylor.
The imagination of experiences: musical invention, collaboration, and the making of meanings.
Taylor & Francis Group, 2021.
Taylor & Francis ebook edition.
Dominic McHugh.
The big parade: Meredith Willson's musicals from the Music man to 1491.
Oxford University Press, 2021.
Ebsco ebook edition.
Elfriede Jelinek.
Rein Gold.
Translated by Gitta Honegger.
Fitzcarraldo Editions, 2021.
Ebsco ebook edition.
Robert L. Freedman.
Notes on the writing of A gentleman's guide to love and murder.
Applause, 2021.
Ebsco ebook edition.
Michael Riedel.
Singular sensation: the triumph of Broadway.
Simon & Schuster, 2020.
Ebsco ebook edition.
Salman Rushdie.
Languages of truth: essays 2003-2020.
Random House, 2021.
Ebsco ebook edition.
Viet Thanh Nguyen.
The committed.
Grove Press, 2021.
Ebsco ebook edition.
The Cambridge companion to Wagner's Der Ring des Nibelungen.
Edited by Mark Berry, Nicholas Vazsonyi.
Cambridge University Press, 2020.
Nathaniel Mackey.
Whatsaid Serif.
City Lights Books, 1998.
Jan Cayers.
Beethoven: a life.
Translated by Brent Annable.
University of California Press, 2020.
De Gruyter ebook edition.
Jean-Paul Sartre. Existentialism is a humanism (L'Existentialisme est un humanisme): including, a commentary on The stranger (Explication de L'Étranger).
Translated by Carol Macomber; introduction by Annie Cohen-Solal; notes and preface by Arlette Elkaïm-Sartre; edited by John Kulka.
Yale University Press, 2007.
JSTOR ebook edition.
Hannah Arendt.
The human condition.
Introduction by Margaret Canovan.
University of Chicago Press, 1998.
Maryanne Amacher.
Selected writings and interviews.
Edited by Amy Cimini and Bill Dietz.
Blank Forms Editions, 2020.
Richard Gerstl.
Edited by Jill Lloyd and Ingrid Pfeiffer in collaboration with Raymond Coffer; with preface by Ronald S. Lauder; foreword by Renée Price; and essays by Raymond Coffer, Jane Kallir, Diethard Leopold, Jill Lloyd, Ingrid Pfeiffer, Maria Sitte and Karol Winiarczyk.
Neue Galerie, Museum for German and Austrian Art, 2017.
The ratio book: a documentation of The Ratio Symposium, Royal Conservatory, the Hague, 14-16 December 1992.
Edited by Clarence Barlow.
Feedback Studio, 2001.
William Gibbons.
Unlimited replays: video games and classical music.
Oxford University Press, 2018.
Kyle Devine.
Decomposed: the political ecology of music.
The MIT Press, 2019.
Widmungen bei Haydn und Beethoven: Personen - Strategien - Praktiken: Bericht über den Internationalen musikwissenschaftlichen Kongress, Bonn, 29. September bis 1. Oktober 2011.
Edited by Bernhard R. Appel und Armin Raab.
Verlag Beethoven-Haus, 2015.
Phil Chan with Michele Chase.
Final bow for Yellowface: dancing between intention and impact.
Yellow Peril Press, 2020.
Evangeline Machlin.
Dialects for the stage.
Routledge, 2006.
Cornelius Cardew.
Stockhausen serves imperialism and other articles: with commentary and notes.
Primary Information, 2020.
Friedrich Nietzsche.
The Anti-Christ, Ecce homo, Twilight of the idols, and other writings.
Edited by Aaron Ridley, Judith Norman; translated by Judith Norman.
Cambridge University Press, 2005.
Ute Holl.
The Moses complex: Freud, Schoenberg, Straub/Huillet.
Translated from the German by Michael Turnbull.
Diaphanes, 2017.
Naomi Beckwith and Dieter Roelstraete.
The freedom principle: experiments in art and music, 1965 to now.
Museum of Contemporary Art Chicago in association with the University of Chicago Press, 2015.
Joe Panzner.
The process that is the world: Cage/Deleuze/events/performances.
Bloomsbury Academic, 2015.
David Brunetti.
Acting songs.
BookSurge, 2006.
Ruth Finnegan.
Entrancement: the consciousness of dreaming, music and the world.
University of Wales Press 2017.
Jane Taylor.
William Kentridge: being led by the Nose.
The University of Chicago Press, 2017.
Andrew Gant.
The making of Handel's Messiah
Bodleian Library, 2020.
David Lewin's Morgengruss: text, context, commentary.
Edited by David Bard-Schwarz and Richard Cohn.
Oxford University Press, 2015.
Peter Ilyich Tchaikovsky.
The nutcracker suite.
Arranged by Duke Ellington and Billy Strayhorn.
Edited by Jeff Lindberg.
Set of full scores.
Belwin Jazz, 2010.
Clive Brown, Neal Peres da Costa, and Kate Bennett Wadsworth.
performing practices in Johannes Brahms' chamber music.
Bärenreiter, 2015.
Louise Glück.
Poems 1962-2012.
Farrar, Straus and Giroux, 2012.
Kaia Solveig Preus.
The war requiem.
Essay Press, 2020.
"A winner of the 2018 Essay Press + University of Washington Bothell MFA in Creative Writing & Poetics Book Contest"--Copyright page.
Aleshea Harris.
What to send up when it goes down.
Samuel French, 2019.
"As lines between characters and actors--as well as observers and observed--blur, a dizzying series of vignettes builds to a climactic moment in which performance and reality collide, highlighting the absurdity of anti-Blackness in our society. Through facilitation and dialogue we must decide how to cope, resist, and move forward."--Publisher's description.
Don Mee Choi.
DMZ colony.
"A new book by Don Mee Choi that includes poems, prose, and images."--Publisher's description.
Wave Books, 2020.
Ludwig van Beethoven.
Grande Sonate in Es für Klavier, op. 7.
Edited by Jonathan Del Mar.
Bärenreiter, 2017.
Ludwig van Beethoven.
Piano sonata no. 27 in e minor, op. 90.
Edited by Norbert Gertsch and Murray Perahia.
Fingerings by Murray Perahia.
G. Henle Verlag, 2017.
Anne Umland and Cathérine Hug.
Francis Picabia: our heads are round so our thoughts can change direction.
With essays by George Baker and 12 others.
The Museum of Modern Art, 2016.
Paul Celan.
Memory rose into threshold speech: the collected earlier poetry.
Translated from the German by Pierre Joris.
With commentary by Pierre Joris and Barbara Wiedemann.
Farrar, Straus, Giroux, 2020.
Past/forward: the LA Phil at 100.
Written by Derek Traub; music director interviews by Tim Page; edited by Julia Ward, Robin Rauzi.
Los Angeles Philharmonic Association, 2018.
Nicholas Kenyon.
The life of music: new adventures in the western classical tradition.
Yale University Press, 2021.
JSTOR ebook edition.
Cynthia Verba.
Music and the French Enlightenment: Rameau and the philosophes in dialogue.
Oxford University Press, 2016.
Ebsco ebook edition.
Karen Painter, editor.
Mahler and his world.
Princeton University Press, 2020.
JSTOR ebook edition.
Chambers: scores by Alvin Lucier; interviews with the composer by Douglas Simon.
Includes the score for "I am sitting in a room."
Wesleyan University Press, 1980.
Project MUSE ebook edition.
Jan Caeyers.
Beethoven: a life.
Translated by Brent Annable.
University of California Press, 2020.
Paper edition.
Alan Montgomery.
Opera coaching: professional techniques for the répétiteur.
Routledge, 2020.
Anna Clyne.
Night ferry.
Full score.
Gift of Leonard Slatkin.
Boosey & Hawkes, 2013.
Richard Danielpour.
A woman's life: for soprano and orchestra, on texts by Maya Angelou.
Full score: gift of Leonard Slatkin.
Associated Music Publishers, 2009.
Ewa Kusz.
Musical intelligence and its impact on English pronunciation skills in the process of second language acquisition.
Peter Lang, 2019.
Ornette Coleman.
W.R.U.: for five cellos.
Arranged by David Sanford (after John Zorn).
Score and parts.
Oxingale Music, 2016.
Simon, Carlos Oliver, Jr.
Be still and know: for violin, cello, and piano.
Score and parts.
CSJr. Music, 2016.
Mason Bates.
The (r)evolution of Steve Jobs.
Libretto by Mark Campbell.
Full score.
Aphra Music, 2018.
Joseph Bologne, Chevalier de Saint-Georges.
L'amant anonyme. Vocal score.
Critical edition by George N. Gianopoulos, Stephen Karr, Leila Núñez-Fredell, Mishkar Núñez-Fredell.
Opera Ritrovata, 2020.
First publication.
Carl Vine.
Piano concerto no. 2, for piano and orchestra.
Piano reduction by the composer.
Faber Music, 2016.
Andrew Thomas.
Hexengeheule = Witchhowl.
For marimba and timpani.
Score and 2 parts.
American Composers Alliance, 2000.
Krzysztof Penderecki.
6. Sinfonie: Chinesische Lieder.
For baritone and orchestra.
Study score.
Schott, 2018.
Vijay Iyer.
Mutations I-X: for string quartet, piano and electronics.
Score and parts.
Schott Music Corporation, 2016.
Christopher Cerrone.
The Naomi songs: for amplified voice and sextet.
Score and parts.
Project Schott New York, 2017.
Andrew Lippa.
The man in the ceiling.
Vocal selections.
Hal Leonard, 2019.
Lei Liang.
I praise of shadows [ 陰翳礼讃 ].
Flute solo.
Project Schott New York, 2016.
Matthew Aucoin.
Tony: ending the life.
"Poetry by James Merrill."
For tenor and piano.
Associated Music Publishers, 2020.
Haruki Murakami.
The first person singular: stories.
Translated from the Japanese by Philip Gabriel.
Alfred A. Knopf, 2021.
Ebook edition.
Additional Resources